The divine comedy of Dante Alighieri / edited and translated by Robert M. Durling ; introduction and notes by Ronald L. Martinez and Robert M. Durling ; illustrations by Robert Turner.

By: Contributor(s): Material type: TextTextLanguage: English Original language: Italian Publication details: New York : Oxford University Press, 1996- <2011 >Description: v. <1-3 > : ill., maps ; 25 cmISBN:
  • 0195087402 (v. 1 : alk. paper)
  • 9780195087406 (v. 1 : alk. paper)
  • 0195087410 (v. 2 : alk. paper)
  • 9780195087413 (v. 2 : alk. paper)
  • 9780195087420 (v. 3)
  • 0195087445 (pbk.)
  • 9780195087444 (pbk.)
Uniform titles:
  • Divina commedia. English & Italian
Subject(s): DDC classification:
  • 851.1 20 D235di v.1, v.2
LOC classification:
  • PQ4315 .D87 1996
Online resources:
Incomplete contents:
v. 1. Inferno -- v. 2. Purgatorio -- v. 3. Paradiso.
Summary: This first volume of this new Divine Comedy presents the Italian text of the Inferno and, on facing pages, a new prose translation (the first in twenty-five years). Robert Durling's translation brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with all its terror, pathos, and sardonic humor, and its penetrating analyses of the psychology of sin and the ills that plague society. Martinez and Durling's introduction and notes are designed with the first-time reader of the poem in mind but will be useful to others as well. The concise introduction presents essential biographical and historical background and a discussion of the form of the poem. The notes are more extensive than those in most translations currently available, and they contain much new material. In addition, sixteen short essays explore the autobiographical dimension of the poem, the problematic body analogy, the question of Christ's presence in Hell, and individual cantos that have been the subject of controversy, including those on homosexuality. There is an extensive bibliography, and the four indexes (to foreign words, passages cited, proper names in the notes, and to proper names in the text and translation) will make the volume particularly useful. Robert Turner's illustrations include detailed maps of Italy, clearly labeled diagrams of the cosmos and of the structure of Hell, and line drawings illustrating objects and places mentioned in the poem. Holdings: v.1,; v.3; v.1-v.3
Holdings
Item type Current library Call number Status Notes Date due Barcode
Books Books Tantur Ecumenical Institute Library Main Collection (Lower Floor) 851.1 D235di v.1 (Browse shelf(Opens below)) Available We don't have vol.3
Books Books Tantur Ecumenical Institute Library Main Collection (Lower Floor) 851.1 D235di v.2 (Browse shelf(Opens below)) Available
Browsing Tantur Ecumenical Institute Library shelves, Shelving location: Main Collection (Lower Floor) Close shelf browser (Hides shelf browser)
851.1 D235dc Divina Commedia : Inferno, Purgatorio, Paradiso / 851.1 D235di The divine comedy / 851.1 D235di v.1 The divine comedy of Dante Alighieri / 851.1 D235di v.2 The divine comedy of Dante Alighieri / 851.1 D235div The divine comedy / 851.1 D235i The Inferno of Dante : a new verse translation / 851.1 D235p Purgatorio /

Includes bibliographical references and indexes.

v. 1. Inferno -- v. 2. Purgatorio -- v. 3. Paradiso.

This first volume of this new Divine Comedy presents the Italian text of the Inferno and, on facing pages, a new prose translation (the first in twenty-five years). Robert Durling's translation brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with all its terror, pathos, and sardonic humor, and its penetrating analyses of the psychology of sin and the ills that plague society. Martinez and Durling's introduction and notes are designed with the first-time reader of the poem in mind but will be useful to others as well. The concise introduction presents essential biographical and historical background and a discussion of the form of the poem. The notes are more extensive than those in most translations currently available, and they contain much new material. In addition, sixteen short essays explore the autobiographical dimension of the poem, the problematic body analogy, the question of Christ's presence in Hell, and individual cantos that have been the subject of controversy, including those on homosexuality. There is an extensive bibliography, and the four indexes (to foreign words, passages cited, proper names in the notes, and to proper names in the text and translation) will make the volume particularly useful. Robert Turner's illustrations include detailed maps of Italy, clearly labeled diagrams of the cosmos and of the structure of Hell, and line drawings illustrating objects and places mentioned in the poem.

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